The Rejection Collection: Cartoons You Never Saw, and Never Will See, in The New Yorker Review

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The Rejection Collection: Cartoons You Never Saw, and Never Will See, in The New Yorker Review"The Rejection Collection," edited by Matthew Diffee, consists of cartoons that were "too risque, silly, or weird" to be accepted by the New Yorker magazine. Diffee asked thirty of his friends and colleagues, all of whom have had their work published in the New Yorker, to sift through their rejects and submit their favorites. From these, Diffee picked HIS favorites, which he dubs "the cream of the crap."
Diffee inserts photographs of the artists as well as quirky questionnaires that allow the cartoonists to express their feelings about such topics as their childhoods, what makes them laugh, and how they handle rejection. Unsurprisingly, their answers tend to be offbeat, humorous, and filled with doodles. The cartoons themselves have to be seen to be believed. They are scatological, profane, sadistic, stupid, clever, politically incorrect, and often hilarious. It's fair game to satirize crooked politicians, cosmetic surgery, and idiotic voice mail messages, but how can anyone make fun of adultery, chemotherapy, transsexuals, child abuse, alcoholism, and suicide? Aren't these subjects off limits? It turns out that in some cartoonists' slightly warped minds, no subject must be avoided in the name of political correctness and good taste.
One of the book's strengths is the insight that it offers into the creative process. Some of the artists believe that the writing and the ideas are more important than the drawings--no ideas, no cartoons. However, in the best cartoons, the writing and drawing are so well integrated that neither element dominates. These cartoons work so well that the reader finds himself laughing out loud (and feeling guilty afterwards).
If you have a friend who is a bit wacky, irreverent, and not easily offended, this collection would make a good gift. I wouldn't give it to Mom, Dad, your rabbi, or your priest, however. In these pages are naked guys and ladies, references to bodily functions, and content that can euphemistically be described as inappropriate for people with delicate sensibilities. Although some of the cartoons simply fall flat, the best of the bunch effectively satirize modern society, the human condition, and the madness that surrounds us every day.

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